Here is some specs I just got:
Transducer Type:
Electrostatic Condenser
Operating Principle:
Pressure Gradient
Diaphragm's Diameter (inch/mm
): 0.8"/21 mm
Frequency Range:
20 Hz to 20 kHz
Polar Pattern:
Unidirectional, cardioid
Output Impedance:
50 ohms
Rated Load Impedance:
1000 ohms
Suggested Load Impedance: >
500 ohms
Load:
33 mV/PA
S/N Ratio CCIR 468-3 Weighted:
76 dB
S/N Ratio DIN/IEC 651 A-weighted:
87 dB-A
Equivalent Noise Level DIN/IEC A-weighted :
5.5 dB-A
Maximum SPL (<0.5% THD @ 1000 ohms):
133.5 dB
Phantom Powering Voltage on XLR Pins 2 & 3 Relatively Pin #1 +48V (±4 V)
Phantom Current Consumption < 2mA
Output Connector 3-pin XLR Male, gold plated contacts
But the main point is in the capsule. Some pictures attached, same technologies as in JZ - Black Hole microphones applied on diaphragm of the capsule. It is called Golden Drop technology - something like several small diaphragm capsules on large diaphragm surface, so getting out the best from both worlds of LDC and SDC mics.
I had chance to use it on acoustic guitar (my favourite app) and percussions (very good details ans response of capsule).
I loaned pair to my friend for live gig and warned him no to use it vocals as the grill is very open and singing could damage capsule of these limited version mics. But you know sound engineers, when you say them that this is not meant use in that and that ways, they will try it for sure
He gave me call and said that this mics is best he has tried for vocals (Jazz and with windshield).
Hope to have more samples soon.