4th July 2009
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#107 |
| Lives for gear
Joined: Mar 2009 Location: U.S.A.
Posts: 4,382
| Quote:
Originally Posted by Batchainpuller78 that is a very good point, however there is a whole flock of people and cooperations trying to tell us what to buy next or how to do this and that, a whole lot of this industry is saying, analog you old fool buy the plug in and go ITB, and because of time efficiency it's used and preferred by many.
I'm not so fond of it as my studio is 98% analog and my vinyl collection is too.
and I do miss a certain kind of sound but mostly I don't like working behind the computer all day long and I don't like little screens with lists of parameters and function buttons, I also don't like the delay digital control has, in buttons, switches, and what not always that bit of processing, in analog it's one function per button, on or off, more or less, I find working like that a lot more intuitive and creative, it's like playing an instrument versus programming something, and the absence of a screen during a session is very very very nice, people are drawn to it like skeeters to a campfire.
I'm with the op on instruments that give inspiration, sitting behind a real piano is a totally different experience than playing on a nord-lead, it does not sound & feel like you sitting behind a real instrument resonating and producing overtones in a real room.
But in the end a good melody, song or tune will come across on anything even if it's made with a gameboy or recorded via the microphone mini jack on the back of a pc. | Quote: |
and my vinyl collection is too
| REALLY...I thought albums were digital |
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