30th June 2009
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#35 |
| Lives for gear
Joined: Jan 2008 Location: The City Of Brotherly Love And Sisterly Affection
Posts: 8,193
| Quote:
Originally Posted by Storyville I actually find myself doing my mixes in a weird way. I'll put alot of efx, compression, eq, etc on, and then start taking it off. The reason is I have the personality that like to do a lot, and try many things, and have many options. I tend to overmix. So now, I overmix, and work my way backwards, this way I feel like I'm doing alot. Now that I'm tracking and working in good studios I find mixes tend not to need as much (though, they need what they need).
As for reverb, I rarely want the reverb to be focal element in the mix. I usually use it as a supporting element, although I have been enjoying PSMs use of reverb which has been a significantly more indulgent use. Part of the reason is that if your reverb sounds good, you can really get away with using a lot more of it.
I still think of reverb in terms of tone, texture and rhythm though. I do it less mathematically and more by ear now that I've been mixing with the Soul Man. I used to aim straight for the mathematics, and make slight variations if need be. Now I'll approximate the mathematics and start deviating to see if things get better or worse, and just keep going until I find the best spot - which is sometimes very far from the math. | Its a pleasure having you on the Studio E team and I am impressed with your skills and work ethic. Way to go!!  
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