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Fletcher · 21st September 2005

If it were me, I'd probably ditch the RME converters

I know you said you weren't looking for purchase recommendations [my apologies for subverting that request]... but of all the weak spots in the setup, that seems to be the weakest link... and something you might want to address [or not].

As for which mic on which drum... play around if you have time and find the right sound. I once tried a D-112 on a snare drum... didn't suck.

Best of luck with it all.

21st September 2005	#15
Fletcher member no 666 Joined: Jun 2002 Location: Durham, NC Posts: 10,106	If it were me, I'd probably ditch the RME converters I know you said you weren't looking for purchase recommendations [my apologies for subverting that request]... but of all the weak spots in the setup, that seems to be the weakest link... and something you might want to address [or not]. As for which mic on which drum... play around if you have time and find the right sound. I once tried a D-112 on a snare drum... didn't suck. Best of luck with it all. __________________ CN Fletcher Professional Affiliations: R/E/P Professional Recording Engineer and Producer forums - serious hobbyists welcome SoundPure.com mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid Roscoe Ambel once said: Pro-Tools is to audio what fluorescent is to light