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Originally Posted by zmix  I think that you've come very close to some of the 'prettier' reverb sounds I tend to gravitate towards with your Eos, but to my tastes it's the Plate 1 algo that has the best magic. |
That algorithm is less Lexicon, more EMT. It isn't really EMT, any more than Superhall is Lexicon, but it shares some design goals. I've never heard an EMT-250 in person, so my understanding was based on impulse responses and the like.
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I have several early Sony reverbs. The R7 is the only 'modern' one. They are incredible. SONY put - so - much R&D into these algos.. and they are fantastic. Nothing in them is modulated or randomized, they are simply tweaked to perfection.
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I am reminded of the Bricasti samples / impulses I have heard. Super high echo density (almost like convolution with noise), but with no ringing at all. The decay does not sound entirely exponential to me, which I am sure is by design.
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The DP/Pro has the famous "Dattorro algorhythm". I pleaded with Jon to give me access to modulation for some of the taps and we did end up with a very powerful device.
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Is this "the" Dattorro algorithm, or "a" Dattorro algorithm? The Halls on the DP/2 I have sound considerably different from the Small and Large Plate algorithms, and much closer to the Lexicon PCM70 Concert Hall algorithm I have heard.
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I used the DP/pro with a factory preset I created called "Black 224".... .
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Which algorithm? One of the Expert Reverbs? Did the older Hall algorithms from the DP/4 and DP/2 make it over to the DP/Pro, or was something else used for the Hall presets?
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Note the low density, high modulation and late 1970s primitivism....
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Nice. It doesn't sound low density to me at all, but that could be the modulation masking this.
Sean