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If you want a classic sound it's important to get the right sort of heads on there. Single layer, coated Evans G1 maybe?. NOT the ones with oil in the middle
Couldn't say about the rest of the kit, but a friend of mine has a ludwig supraphonic snare in his studio, and it knocks spots off every other snare I've heard (which is also partly to do with the way he's tuned it)
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