16th June 2009
Lives for gear
Joined: Jun 2009
Originally Posted by ScumBum
How did you get the Guitar sound on Siamese Dream ?
How many tracks of guitar were layered ?
Not to answer for Butch, but so he doesn't have to repeat anything, there's a partial answer here: Signal To Noise: The Sonic Diary Of The Smashing Pumpkins
| Corgan’s gear was only part of the equation. The endless overdubs— at least 40 in “Soma”—are well-documented, but Vig says that proper mic configuration is what allowed the parts to congeal. Vig’s miking technique was as follows: Corgan would crank up his amp to full gain, and then set the guitar down. After boosting the headphones send on all the mics, Vig entered the room to move around the mics, using the phase-shifting hiss from Corgan’s guitar echo as his guide. According to Vig, an AKG C 414 produced the widest spectrum of sound, a Sennheiser 421 accented the midrange, and ribbon mics were used to obtain a smoother sound with quick, yet mellow, transients. |
“You can’t have 40 guitars that are all full range,” says Vig. “There have to be places for them to fit. You could have low-midrange, or you could have everything scooped out with a high-pass that’s cut at 300 or 400kHz.”
The miking tactic seemed almost drum-like, which, given Vig’s musical expertise, is a fair assumption. “Maybe from me being a drummer, that’s an aesthetic I brought to the table that I didn’t even really understand at the time,” he says.