Keep in mind that I'm suggesting to work with the mic null and speaker placement.
Try to get the best possible isolation by playing with the speaker position and monitoring level.
The phase thingy is a different situation, which can work if properly executed.
Also, consider giving the choir director a headphone mix for extra measure.
Quote:
Originally Posted by pianokeys  Thank you everyone for this wonderful advice.
So 4 mics in cariod - 2 facing each set of risers -
and 4 monitors - each set up behind the mic at lowest level possible.
Sounds like a good start.
May I ask, is it critical for the choir to be there for the phase flip attempt or can I just use the empty room?
Also the two monitor trick with one phase reversed seems very interesting. My questions are 1) even if they are equadistance from the mic wouldn't the live church room affect the ability of one speaker to cancel out the other? and 2) how does one easily flip the phase on a monitor being fed by standard 1/4 inch speaker cable from a powered amp? |