Quote:
Originally Posted by seancostello  I was basing this off of a Daniel Lanois interview I read: Reverb Subculture
The later ambient work that Eno and Lanois worked on apparently made heavy use of the Lexicon 224. The Concert Hall algorithm was used for its modulated ambience, and the 6-voice Chorus added modulation to long feedback paths. The various Lexicon Concert Hall algorithms I have heard (PCM-70, PCM91) have internal modulation, which creates an effect similar to the Budd/Eno work.
Casey has written about an EMT-esque algorithm here on Gearslutz: Reverb Subculture
Probably not the exact EMT algorithm, but still interesting.
Sean Costello |
I'm quite familiar with the EMT 250 and have spoken with Barry Blesser about some small aspects of it. I find early digital reverb research fascinating stuff.
As for the Lanois Interview.. both of those links you provided point to the same thread, which I had already seen, but I am interested in reading the interview you cited.