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Originally Posted by khai  What I find most interesting about Illinoise or Michigan is the fact there was no use of compression while tracking instruments, from what I read elsewhere (in gs i think).
Is compression a good thing when recording really dense arrangements instrument after instrument ? Why fatten each track when so many tracks will compete in the final mix ? |
Unless going to tape, I never track with compression anymore unless it's a wildly uncontrolled source, and then it's as a limiter. I don't know many engineers that typically track with comp any more.
Compression has in many cases turned into a mixtime or foldback process.
t/