Quote:
Originally Posted by john caldwell  Love this! Your brave use of panning permits your special and highly atmospheric treatment of your kit to really shine. The track is perfectly suited to your approach, in my view. It reminds me of the work of Greg Keelor - agreat compliment in my world.
In the event that you captured a truck passing in isolation, consider dropping that in behind the cymbal swell at 4:29.
Congratulations.
John Caldwell |
Thank you very much ,sir! So you actually like the hard panning?
The reason for panning is that the drumpart had to be edited due to a problem I had while laying the track down. The playback track somehow stopped 2 or 3 times while recording. (I think it was the interface)...so I had to slow down my playing to not get lost on the click....
The engineer/producer refused to edit the 3 tempo compensations I did,(to keep the feeling of the track) So I had to do it in my studio and send him the drumtrack back (in aiff..for PT) with the pilot track panned hard left, to have a piece to strart dubbing the guitars, vocals etc....
the track you here is all pre produced by our singer on his tone port (w. sm58) We gonna dub trumpets as well....somewhere strange...i hope
But I will try to keep the panning in mind...
regards