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Originally Posted by u b k  .......op, when you've recaptured your mix thru the chandler, take a minute or three to move some analog faders around and see if a different take on your mix, one that emerges from moving families of sound wholesale, doesn't emerge as something at least as interesting as what you got. i recommend this because actually mixing with real faders and summing that mix is quite a different experience, and you'll get to play with the sweet spot of the chandler a little more fully.
gregory scott - ubk
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+1 UBK's post above...
Also, it's worth pushing single instruments thru individual channels just to fiddle with panning...panning/imaging seems to take on a new life thru the Chandler as compared to ITB. I tend to run a number of tracks out to a number of stereo pairs, but for lead vox, solo's, and instruments that may move around the stereo field during the mix - they get their own channel. Moving the chicken heads real-time during a mix is fiddley, but it sounds good (chicken-head automation anyone?).