Quote:
Originally Posted by Casey  I agree with Sean there does seem to be some needed tuning of those output allpasses, I'm sorry my sizes were probably not ideal.
You can increase your modal density by implementing the simplest form of the FDN. Simply take the output of loop1 and instead of feeding it back to loop1 feed it back to loop2, then loop2 to loop3 and loop3 to loop1. |
Ok, I see. There are still three sets of three taps, three injection points, but one 'big loop' instead. That should reduce the looping sensitivity as the sounds loop through different delay lines and more particularly, through all of the RT multipliers, so that should automatically match the RT gains between the loops. But before I do that, I would like to get the 300 Hz comb under control. Even though the chorus moves the taps around and makes that drift around, I still hear it as a colouration that I don't like.
I guess one of the things I could do is invert one tap at a time and see when the 300 Hz null turns into a 300 Hz peak. That should be the culprit.