Quote:
Originally Posted by Casey  Now put 3 allpass filters on each output. Play around with the sizes but to start out, take around 70% of the length of your smallest loop. Then divide this in two using the golden ratio you mentioned earlier. Make two allpass filters in series out of these delays times. Then add a third one that is fairly small say around 2.5 ms. from largest to smallest use say .35, .45, .6 for the gains.
Then reduce the size of all of the allpasses on the left by 5%, and increase the size of the allpasses on the right by 5%. Also alternate negative then positive then negative feadback on the three series allpasses on the left, and do just the opposite on the right, positive, then negative, then positive. |
Sorry if this is a dumb question, but what type of allpasses are you talking about? Is there only one type used in reverbs?