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Pro Tools is advertised as a "fully 48-bit mixer." In reality, the plug-in bus is only 24 bits, and crossfades and offline processes are done at 24 bits. Every time you add a plug-in or process a track, you lose resolution. When you add a plug-in on a group or on the stereo bus, you lose even more resolution. Pro Tools is sonically inferior to most native DAW's.
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Well, here's a Gearslutz-quote from
Rex Logos Digitalis, aka
Nika:
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If you want the sound of an analog mixer imparted onto your mix, use an analog mixer. If you want a mix that is more linear use a digital mixer. A digital mixer will perform better if it is a fixed point mixer than if it is a floating point mixer. Floating point does have advantages in other types of processing, though.
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ruudman