Thanks for taking the time to guest moderate! thumbsup
I can tell a Tony Maserati mixed record from the incredible low end
I was wondering what sort of tricks and techniques you use to achieve such a warm, full, punchy low end on your mixes.
Are there any go-to signal processing chains would you recommend as a starting point and are there any tricks (parallel compression, side-chaining, multiband compression, distortion) you find yourself turning to often?