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Because from a mastering perspective, it's not that important. IMO, it sends the wrong message to someone expecting the best advice from some of the best (or at least well known) people in the industry regarding how they approach the process.
The idea that it's that significant should have been dismissed in favor of the constant advice regarding monitoring chain, room acoustics, familiarity with reference material, etc..
I think too much attention has been drawn to it already, and am aware of the irony of me posting this. It's something almost everyone uses at some point, but it's not "sticky worthy", as that would acknowledge it's an integral part of the art, which for the majority it isn't.
.02
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Cass Anawaty, Chief Engineer
Sunbreak Music, LLC
High Resolution Stereo Mastering www.sunbreakmusic.com |