Quote:
Originally Posted by tINY 
In a studio, I'd shy away from the D6. The RE20 and PR40 are more versitle and can be used on other sources (I like the PR40 best).
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Everytime I tell people who are just starting to build their mic lockers to go for a more versatile dynamic ala the RE20, PR30, PR40, SM7B instead of a highly scooped mic like a D6, Beta 52, D112 etc every amateur and their mom comes out and bitches....
I highly agree with what tINY says.