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Old 23rd January 2009   #20
Brad_Wood
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Joined: Aug 2006
Location: Los Angeles
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Quote:
Originally Posted by JQ127 View Post
I wasn't eager to play anyone's instrument. I doubt anyone on here is 'eager' to jump in and play stuff on someone else's album. But what do you do as producer when they're counting on you to get the album done properly?
Good question. The answer for me has been pre-production and lots of it. If that is not an option, I usually will: 1) offer to make a rough mix and suggest the player take his/her instrument home for the night for a chance to woodshed and come back for a fresh start. Most of the time this is all that is needed, as I suspect a lot of the time the player has a bad case of nerves. 2) Track and edit the best of a bad performance and then rough mix. It is a good way for the player to have a chance to listen to the part in privacy and then have another go. 3) Acknowledge that the part is damn hard and perhaps a subtle simplification is all that is needed to make it not only easier to play but might improve the song. In no instance will I suggest I play for them.


Best- Brad
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