Quote:
Originally Posted by LSProductions  I don't like the fact that I can only use the digital ins and outs at 44.1 . I sometimes will track a 88.2, but use a Benchmark adc-1 to go back into cubase, bypassing my firepods converters. With the Zed, it looks like I could only use the adc-1 at 44.1 .. and I do like the unit, especially at 88.2k. |
if it makes any difference, the dig ins/outs also work at 48.
for a while i was recording everything @ 96, but now i'm recording @ 48... i remember reading something on here, i think it was one of the main guys from Mercenary Audio, suggesting that the quality of the convertors is so much more important than the sample rate... and i'm a firm believer of this! i had an Apogee Ensemble for a while, and the stuff that i recorded on that @ 44.1 sounds SO MUCH BETTER than what i've recorded on my RME FF400 @ 96........ so what i'm saying is, i'm sure that your ADC-1 will still sound fantastic @ 48.