Maybe I should just put white noise generators in all of my listening rooms rather than record in 24bit then . . .
I don't record for people to listen with high acoustic noisefloors - I record with the assumption that people are going to listen in a well sounding room on fair equipment. Obviously it would be negligent to assume that my recordings were
only going to be listened to this way, but if you prepare for the playback that shows every flaw. Or maybe I should be getting people to drive past my listening room window to mask the poor fidelity . . .