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I'd say with the client/artist/producer present, I pretty well get it to where they like it and leave it at that. I dont try and go beyond putting my preferences for which way it shoould sound to me. Point out the obvious, usually can get it done much faster with the client.
When the client's not there, I find myself fooling around too much, wasting lots of time. Actually the way I've been working lately has been trackn/mixing songs so by the time we are finished tracking for the day, the mix is already where we want it to go. So yeh, maybe 30mins a song done this way.
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Michael Scott
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"Two degrees in bebop, a PHD in swing, he's the master of rhythm, he's a rock and roll king" -Lowell George-
"In my reality it is important that people who use these tools go into them with both eyes wide fvcking open and evaluate them in the context of their work rather than from the perspective of trying to "keep up with the herd" mentality.
Peace." -Fletcher-
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