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Originally Posted by NuSkoolTone The DRS-2 is almost always used for Drum OV's, and for most Dubs later (If we're doing dubs). With exception of the Drum OV's, I STILL find myself adding high EQ! Even with the TLM103!  |
I love my DRS-2, but I wouldn't call it an excessively bright preamp, and it doesn't have much built in extra sizzle that some others do and which is often required for modern rock. Also, the 103 has a huge proximity effect, so you have to resist the temptation to mic everything too close. If your room is noisy or just doesn't sound great you might find yourself micing everything too close, which can lead to muddy buildup. Or if your room is overly dead you're not getting that extra bit of liveliness that can brighten up a track. Lots of little things. Perhaps the musical arrangements are cluttered, perhaps the drums aren't tuned just right, perhaps the bass needs new strings, the players don't have a clear touch, the performances aren't locked. I'm not picking on you--these are all problems I've experienced, and solving each one takes you a step further.
Good luck,
R