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Originally Posted by rcm  Its not very slutty of me to say, but I would not get tied up in having lots of different pres, find a flavor you like and get to making a record.
An API 3124 would give you some of that sound you were looking for. 4 channels for a bit over $2000.
A Distressor is a pretty great choice for "nasty compression" An 1176 has a cool sound, but a Distressor might be more flexible.
A Shure KSM32 is a great overall condenser to have around. You can stick it in front of almost anything and get a cool sound.
Shure SM57 for the same reason above.
Two channels of Good A/D conversion.
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I'm thinking along the same lines....but would suggest pairs of a couple of things.
a pair of condensers, could be small diaphram, ie KM184, or the re-issued AKG 451.
a stereo distressor.
In terms of pre's , like rmc, I don't think it's essential to have lots of flavors to start with. I recently helped a guy set up buzz pre's and comps in the 500 series format. Sounded really good. If you go 500 series there seems to be good stuff to pick from. (I have only hear the buzz in that format).
I'm thinking that when you choose your large diaphram condenser it would be worth trying a few out on the the lead singers voice, and choose the one that sounds the best on him/her. What ever mic you choose will still be fine on other stuff.
And... if you feel you need more flavors during tracking, you can always hire pre's and mics for a few days. You get the added advantage of trying out a range of quality gear and finding out what you like.
B