| - sending it over to trigger a gate behind a white noise.
- layering it with a reverse of it (the reverse is starting sooner or later to taste)
- different rythm layered sounds on every second snare for example
- putting shuffled or straight deadnotes around
- layering with other sounds, but comes with the rythm-design automaticly very often.
- reverbs: maybe gated or a kick-sidechained reverb, maybe 1-2 very short reverbs to give it a nice release.
- saturation, distortion
- lowcut as hell sometimes works wonders and offcourse a little peak around 5-10k |