Originally Posted by Lagerfeldt
Ok, that's what I was guessing. However, the distortion would bother me in this scenario since I'm also going to have some distortion at the A/D clipping stage, so I'm really just looking for an L2/L3 analog alternative for mastering?
The secret to the use of the L2/L3 i s instead of doing -5db of reduction on one L2 spread little amounts amongst (3) different L2's.
You get cleaner and louder sound this way.
By the way the L3 sounds so much better than the L2.
Especially at the heavier settings.