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Originally Posted by recall  I I just don't think you understand mine. putting pitch shifters and all sorts of effects on a band who really don't want or need it is pointless. In this situation I (me, myself, personally....you don't have to!  ) I get the sound going in the room itself, check the balance is right between all the instruments before even messing with mics. |
You do understand that the sitar player could not actually play with the existing harmony as it was recorded? I didn't mean to say that originality requires extensive manipulation, and, certainly it all starts with the source and the room. My point was only that recording stopped being only about documentation (with the exception of jazz and classical purists) a long time ago.