Quote:
Originally Posted by benhallen  Adam
Separate but related Q:
I just spent a few weeks mixing an album and was running PT HD through a desk, then printing mix passes to Logic through my Rosetta 200. I ran MTC out of the PT SYNC and into a midisport on the Logic rig. I did NOT sync the clocks, as the PT sessions were at 44.1 and 48, but I was running Logic at 96k.
Logic has several different modes that will modulate the sample rate (or not) based on the quality of the incoming MTC. Have you seen this window? Is there one that would be particularly suited for making sure that mix passes and stems all lined up properly when played back in Logic?
b |
I was going to chime in again to tell you I was wrong with regard to my last post, and the above poster is correct......its been ages since I've used PT like this, so when I was driving home from work, I realized I'm a moron! [don't quote that]
Anyway, Logic's MTC can be configured for the type of sync needed, I've found that MTC Continuous, is the best way to use a trigger from another machine with Logic as the Slave so you should not have any need for these settings, but I could be wrong. The "Audio" settings in MIDI settings is what you're referring to, I've never had to mess with it.
I always use MTC Continuous with our Unitor slaving from RADAR SMPTE [which converts the SMPTE to MTC and uses the MTC functionality of Logic, but there is facility to slow, of speed up the sync with regard to sample rate. I would lock any converters from both systems via WC if there is audio in both sequencers playing back as you'll need not only frame accurate lock, but sample accurate lock.
If you're using Logic as a separate roll deck running 96K, its shouldn't matter much, but what will matter is the frame sync, if you have to go back and make moves on top of the print, but it should be more than fine in MTC Continuous.
Hope this helps
peace