Quote:
Originally Posted by acca  I've used it several times, both for recording and sound reinforcement.
I must say that I prefer the CMC6+MKIV stereo pair for more versatility in placement (I prefer NOS stereo miking on pianos for example). Apart from that, the MSTC is a great sounding microphone, especially for pianos and small ensembles. I like it on drum overheads too... and I definitely prefer Schoeps sound over DPA/B&K sound.
Ps. It will be a great day in Italy when sound reinforcement companies will stop using 414 for grand pianos in jazz concerts and start using Schoeps microphones! |
Hi,
I'm new to this forum, so I haven't read this old conversation before now.
May I ask: Why do you prefer Schoeps sound over DPA/B&K sound?
(I've always heard that DPA is the best for recording orchestras.)