| This is of course subjective but we used a 416 for foley since I started in film sound a decade or two ago.. a few years back a freelance foley artist brought in his own Neumann KMR81 and when we predubbed the foley for that film the mixers found the foley matched production audio much more easily... I dont record foley but the foley studio we use bought one & I tracked down a second hand KMR81 for FX recording and havent used the 416 since... its just my opinion but I would definitely recomend the KMR81 over the 416... |