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Old 14th July 2008   #10
MattGray
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Join Date: Aug 2005
Location: Brisbane, Australia
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Quote:
Originally Posted by ed littman View Post
I alway keep my lavry set to 24 bits, but when I want to capture in 16 I'll just set the record dialog in WL to 16/44.1. that, in addition to using the l2 at 0.0 threashold & -0.1 for the out ceiling...no dither needed...record.
Hey Ed, can you explain why dither wouldn't be needed in this scenario? If the Lavry is capturing at 24bits & you're recording into wavelab at 16bit wouldn't that effectively be truncation?

Quote:
I'm using the asio audio input or live input so I can use the master fader to control the recording level. This is also were the digital clipping happens.
Are you talking about the master fader in Wavelab? Again if you're raising the gain in Wavelab at 16bits, it would need re-dithering at this point (all internal DSP including a gain change would be calculated at 32bit float) unless I'm mistaken. It would make more sense to capture into Wavelab at 24bit 44.1kHz with your technique, so it could be dithered at the end. Also if you raise up the gain on the MF in Wavelab to digitally clip does that mean you're printing a file that peaks at 0.0dbfs? or are you lowering by 0.3 some place after the gain change?

Matt
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