Hi there; If you're on a budget, and keeping an eye on the bottomline, here's a few places to consider.
I am not spamming & I have no affiliation with any of these studios
(I don't have 88 fingers either, just 8

)
Check out Dubway on 26th street, Stratosphere, and Excello in Brooklyn; I have mixed stuff from the first 2, & heard unmixed projects tracked at Excello; can't vouch for the places personally, never worked in any of 'em, but what I either heard or worked on sounded fine.
I mixed projects at IWII (It Is What It Is) this past June, and in the fall of '03
IWII is an offshoot of SST, which is a backline rental company owned by John Hanti
The control room is one of the old Record Plant remote trucks, attached to a VERY large live room which is normally used for rehearsing touring show's sound and lights: we're talking big big room: It's not a slick, MIX Mag gear porn room; very much in the "raw" category; it's for touring acts rehearsing, not A&R guys impressing their girlfriends, if you get my drift
The control room is like stepping into a time capsule circa 1973; lovely vintage 24 chan API board, lotsa outboard, + mics that Mr. Ciccala owns: they even have the Steinway grand that John Lennon recorded "Imagine" with (not the white one in the movie, the actual studio one)
1/2" ATR 102, Pro-Tools, Genelec monitors, Studer 2" plate reverbs, LA2A, Lang, Vari-Mu, blah blah blah; they're not hurting for gear.
I worked there twice; one session mixing some punkpop stuff, and most recently for an entire week: the control room is basically a truck box: tight quarters, and certainly not a perfect acoustic: kinda like working on a submarine, so if you need a control room the size of a starter home, fuggetaboutit - but I've worked in worse scenarios.
the gear is sweeeet, and the folks are very nice. GREAT Italian food joints nearby too.
It's the first stop when you take a bus from the Port Authority, so it's actually very close to Manhattan.
I think the rate is pretty good: don't know, I was the mix guy, brought in by the producer:
And there ya' go; good luck