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max cooper · 12th December 2004

Cool thing about having one mic out of phase (I usually use both on top...57 & 451 pretty often here too) is that with one fader up and the other down, bringing up the second has a "thinning" effect as it comes up to unity.

I usually double it up with a "room" sample of the same snare, or one from BFD since I can solo the U87 output. Tedious but worth it, usually.

12th December 2004	#8
max cooper Lives for gear Joined: Aug 2004 Location: tx Posts: 8,802	Cool thing about having one mic out of phase (I usually use both on top...57 & 451 pretty often here too) is that with one fader up and the other down, bringing up the second has a "thinning" effect as it comes up to unity. I usually double it up with a "room" sample of the same snare, or one from BFD since I can solo the U87 output. Tedious but worth it, usually.