Gearslutz.com - View Single Post - The gear for classical and contemporary music

cvetkom · 26th June 2008, 10:16 PM

Dear Benjamin!

Thanks for the advices! I played the Domaines of Boulez, but right now I am performing the piece called Dialogue de l'ombre double. The idea of DPA sounds good indeed,... In the autumn I am performing in Slovenia, Croatia, Germany and Switzerland the compositions of Reich, Boulez, Musgrave, Scott Neal, and one other American composer I cannot give the name yet. I will be using two different laptops (security), one running a sequencer other max/msp, so I will think about trying DPA.
Until then I have to prerecord the 10 clarinet parts for the New York Counterpoint of Steve Reich and assemble the setup for live electronics performance (wanna do it in this way).

26th June 2008, 10:16 PM	#23
cvetkom Gear interested Join Date: Jun 2008 Posts: 11	Dear Benjamin! Thanks for the advices! I played the Domaines of Boulez, but right now I am performing the piece called Dialogue de l'ombre double. The idea of DPA sounds good indeed,... In the autumn I am performing in Slovenia, Croatia, Germany and Switzerland the compositions of Reich, Boulez, Musgrave, Scott Neal, and one other American composer I cannot give the name yet. I will be using two different laptops (security), one running a sequencer other max/msp, so I will think about trying DPA. Until then I have to prerecord the 10 clarinet parts for the New York Counterpoint of Steve Reich and assemble the setup for live electronics performance (wanna do it in this way).