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Old 4th November 2004   #25
illynoise
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Join Date: Oct 2004
Posts: 1,665

from over 15 years of experience

Making HipHop, I've had it all, MPC, S900, 950, 1000, 3000xl, 8 bit, 12 bit 16 bit, casio sk-1. You name it. I've done it. My recommondation is for THAT sound. Two products. Ensoniq EPS 16 + and ASR-10.

The 16 + has some of the nastiest sounding low end that you would want to put in a mix. You can't get a good 808 boomin in it, but it's definately got that really cool sound. I started with a Mirage and that board is just too nasty. EPS is better, but 12 bit is well, 12 bit. Not like Akai 12 bit. Not even Emax 12 bit.

Most Hip Hop producers that are decent and really know how to layer sounds will use an MPC as their drums and Samples from an ASR-10. That's the Defacto standard. I would second that theory.

BUT as far as programs to sequence in, I use Logic. It's easy to get into and make music with and adapts well. Cubase is tight also, but not as easy to get going with as Logic. I used to sequence with the ASR-10, but the Timing is much better on the mpc.

Mix your mixes down to a stereo VHS recorder. Something like a JVC SuperVHS with Level controls is nice. Still tape, still analogue and doesn't cost as much.

The whole concept about hip hop is UnQuality. I always practiced this. Look at a classic album like BizMarkies first album. Most of the tracks sounded like they recorded out of the DJ Mixer Pre-amp. Who knows they proly did. and they are the best records to scratch, to this day!!!

Peace
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