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Old 14th June 2008   #2
ryst
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Join Date: Dec 2004
Location: Hollywood, California
Posts: 2,574

Kick - in,out, both? As long as it was recorded well, it doesn't matter too much to me. I can replace the "click" or the "boom" with a sample if needed.

SN - top & bottom or just top? I actually would always like to have the bottom. I don't even need the top if I have the bottom and good OH's

RM - one, stereo, M/S Yes but it doesn't matter too much to me what kind

Lead VOX - mutliple takes or one single take? I would prefer as a MIXING ENGINEER to not have to do much editing. So I would like to have everything already comped and edited.

BKG VOX - number of stacks - Depends on what's needed for the song

GTR - amped, direct, both? - Amped is fine but I will take direct too for an extra option

BASS ? - DI is fine

horns? - no thanks

recording levels? - nothing clipping. -6db on peaks


tracks in a certain order? from left to right - I always go, Master fader>Drums>Bass>other instruments>vocals>effects. But I usually set that up myself

certain things mono or stereo? I hate getting kicks, snares, hi hats etc in stereo. Any track that has the same info on both sides should be mono. Otherwise I am spending a lot of time on the "split into mono" function in PT

rough mixes? - Yes
etc,
etc,
etc

To me, the most important thing is to have everything recorded well. No clipping anywhere. I don't like having to feel like I am a surgeon. Also, label EVERY track and supply notes if necessary.

And also have everything edited. I shouldn't have to listen for the best take or do any cross-fading or trims. It should be done and ready to go. If I have to edit, I charge extra for that because that's not mixing.


Here is a good tutorial on getting your song ready for the mixing engineer.

http://techbreakfast.com/tutorials/P...n_Transfer.mov
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