29th May 2008
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#30 |
| Gear addict
Joined: Jun 2006 Location: Surfside Fla
Posts: 330
| Quote:
Originally Posted by HeavyG Being a drummer...I am a bit partial (some would say a purist) to a more "natural" method of drum performance capture. I cringe when I hear about engineers inserting samples, millions of plug ins, manually displacing beats...I mean, this is the rhythmic equivalent of pitch correction. I love my engineering brothers in arms...but this in my mind is why music today sounds so damned NEUTERED. I think we can get so caught up with all the tools that we have...we forget that it is really about the artist and capturing a PERFORMANCE. Not your performance in front of a computer...but a drummer's performance. This is why I prefer the "Glyn Johns" method (or what Mike Tarsia refers to as the "Open and Natural" method). To me, this focuses on getting a "snap, crackle, and poppy" overall kit sound at the SOURCE rather than using manipulation.
Try getting away from the close micing method and getting more ambience and room tone in your kit sound palette. The best drum sounds in my mind are still captured this way...instead of created with a pc.
Cheers... | Right!!!!!!!!!!!!!
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