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Originally Posted by peeder This common point of view I'd like to declare as obsolete. The way to get mixes sounding good on the enormous range of playback systems out there is to get them sounding as good as possible on the most revealing monitors you can afford. |
I'll just point out that the above statement is just one of the opinions in a debate that is often cantankerous and valid on both sides.
My opinion, as stated before, is that the key is learning to understand how your monitors respond. As long as they aren't wildly inaccurate this is something that should come intuitively and quickly.