Quote:
Originally posted by Dave Pensado
2. Any Frankie Goes to Hollywood by Trevor Horn |
For me it was especially "p:machinery" by Propaganda. I've always said that if a fiendish cartoon supervillain were to construct a device that used sound waves to level cities, it would somehow involve the use of the horn riffs from that record. I remember just turning the volume up Up UP, like I couldn't get it loud enough. I think that was pretty much the first record where I paid attention to audio engineering. (Also at that time, studying a lot of New Order and Yaz songs, but those were slightly different since it was the remixers I was noticing.)
Then it goes like:
- "I Know You Got Soul" - Eric B & Rakim
- "RAW" - Big Daddy Kane
- Mecca & The Soul Brother - Pete Rock & CL Smooth
- Andy Weatherall/Hugo Nicholson remixes
- "Sueno Latino"
- "Blue Room" - The Orb
- anything that was getting sampled (JBs, Meters, etc)
- Midnight Marauders
- "Warped Mind" (tape side) - Kan Kick
- Midnight Funk - Demon
And currently: "Indigo Bay" by Yello.
Peece,
T. Tauri