Quote:
Originally Posted by BenJah  I normally just throw an audix i5 on the snare. It's got a poor open top end then the 57. It's also got much better rejection |
I don't think you meant poor, but maybe pure or more?
Anyway, I am wondering if these suggestions on everyone's part are also used live when sharing mic'ing with FOH? This is how I work most of the time, so I am curious if live engineers go along with most of these choices.
Edwin