Quote:
Originally Posted by kenjkelly  Does the audio (mastering) engineer, using a Flat frequency response system, need to compensate for the fact that the end user will be affected by the user's system's built in Fleischer Munson curve correction? |
Not sure if it's compensating per se, in that a ME wouldn't slap a "frown curve" on a song with the thought that someone out there may listen to it with a "smile curve" someday. When it's right in the ME's room, it is typically right in the widest variety of places. Trying to what-if and i-wonder will only narrow the field.
I'd expect the loudness curve features to work better on well-balanced music, and from my perhaps limited experience it does.