View Single Post
Old 10th May 2008, 09:19 PM   #42
Lagerfeldt
Lives for gear
 
Lagerfeldt's Avatar
 
Join Date: Sep 2004
Location: Copenhagen, Denmark
Posts: 2,357
Quote:
Originally Posted by Sunbreak Music View Post
I'm starting to get the impression that's it's most useable if you "target" a specific frequency range. In other words, more of a corrective tool. Either the mix needs something, or it doesn't--it wouldn't be something that I would leave on the buss.
Probably simple M/S equalizing would do the trick.

A nice feature in the Sonalksis StereoTools is the "Zero width below X Hz", i.e. tight bottom, wide top.

Seamless crossover, sounds natural and with no side-effects.

Quote:
Originally Posted by Arksun View Post
That Sonalksis Stereo enhancer does sound very nice BUT, to me its doing something more than just enhancing stereo, but enhancing the top end as well, that vocal example has more sparkle on the top end than the orig, is there more going on in the Sonalksis? some freq boosting or harmonic stuff?
Nopes, but I bounced with POW-r#3. Perhaps I should do a new bounce without noise shaping although it probably won't matter very much on a 24 bit file.
__________________

Producer & engineer
Apple Certified Pro for Logic Pro

Popmusic.dk
my production company

Hit Kit V3 Sample CD
urban & electronic beat production - used on Billboard #1 hits (recently on: Katy Perry, Britney, Usher, Jordin Sparks, Leona Lewis, Sugababes, The Pussycat Dolls)
Lagerfeldt is online now   Reply With Quote