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Old 24th April 2008, 04:09 AM   #52
elambo
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Join Date: Aug 2004
Location: 3rd Coast
Posts: 2,026
Quote:
Originally Posted by A-List View Post
i was talking about ease of writing not best sound. and thats why I ordered a G. me too on PTs being open with either way. I would rather write better songs and worry about the sound quality later than write crappier songs with pristine quality sounds from the jump. to each his own.
I also write with a Fantom and have been doing so for years, but often times the sound itself affects what I write (I usually arrange as I'm writing) and it only takes a few extra seconds to load a sample. I can wait and that's usually when I take a drink of coffee. I do understand the logic behind quick access to instruments in order to flush out an idea, but I'm not nearly as inspired by the output of a Fantom. Or Motif. Or Kurzweil, etc. The mere quality and realism of an EastWest QLSO arrangement gets the adrenaline going and pushes me harder. I can tell where it's lacking and where it's finished. I couldn't imagine scratching out an orchestra on a keyboard then later adapting it over the samples. The mere changes in articulations alone - getting them fixed - would add at least an hour, if you're quick.
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