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I'd probably get a couple Spiders and then worry about monitoring and microphones.
Neve modules etc. make great supplemental colors but a first class path between 16 decent mikes and the recorder along with the ability to hear what you are really doing is going to make the biggest difference of all.
I left Lynn Fuston's converter shootout wondering why people worry about mike preamps but not analog to digital converters which, in my opinion, are a lot less subtile when it comes to warmth, size, etc.
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