| I got to watch Andy mix the Descendents album, "Everything Sux" in 96. He ran both bass signals from tape to a neve 10?? eq at 40 hz boosted all the way. Then this went into the board, pre compression and eq. He seemed to focus his eq on the bass around 200 to 300. The biggest thing that he did with the bass was to automate every note, so the bass was always there. Sometimes leaning on the di, or sometimes the amp whatever would make the bass react and sit the way he wanted. The faders were moving like mad! It was quite a pleasure watching him. He was a super nice guy too!
Jason Livermore
The Blasting Room
Ft Collins, CO |