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adamcal · 24th February 2008

I agree with the moving parts idea, in fact, I installed my entire studio on a old revolving stage I scored from a theater, nothing ever sounds good unless it is set to "spin"

I have it set to 1 IP, as 15 and 30 IPS really did my head in.

the other up side is that my view constantly changes, plus standing waves never have a chance to form, as the wall where they originaly bounced off has moved

24th February 2008	#21
adamcal Lives for gear Joined: Dec 2002 Location: Melbourne, Australia Posts: 1,345	I agree with the moving parts idea, in fact, I installed my entire studio on a old revolving stage I scored from a theater, nothing ever sounds good unless it is set to "spin" I have it set to 1 IP, as 15 and 30 IPS really did my head in. the other up side is that my view constantly changes, plus standing waves never have a chance to form, as the wall where they originaly bounced off has moved __________________ Adam Calaitzis www.toyland.com.au www.facebook.com/ToylandRecordingStudio "what is it you cant face" "I'm a country member"