Quote:
Originally Posted by JoeMilner  Well, let's definitely point out that to get good ADR you need: a good mic, a good pre, a good room/stage, a mixer who knows what they're doing, an editor who can cut, a re-recording mixer who can mix, and oh yeah: an actor who can loop! |
to point out further:
you could never get good ADR without good converters, good daw, healthy (enough) hands, an ADR recording contract, a producer to sign the contract, a pen for the producer to sign the contract, a country with law enforcement system that will protect you in case the producer doesn't pay by the contract he signed, a military defense system in case another country attacks your country or the country of the producer..... etc etc .....
the costs keep piling up.
so, better start saving, don't give a grand for an ADR pre.