25th December 2007
|
#75 |
| Lives for gear
Joined: Aug 2004 Location: South of South
Posts: 820
| Quote:
Originally Posted by sexxy #1. seem you are confusign dynamic range with noise floor
"my AD has 127 dynamic but mic-pres have more noise" http://audio.rightmark.org
i would love to see lavry gold,blue,black rmaa rightmark loopback tests
#2. seem you are confusign high-sample rate with hearing freq. range
but agree on the optimal sample rate..
why?
ear cannot hear 96k tones, but if you record & playback at a faster speed, will record&playback more details in all ranges
can you hear those additional details if they are in the human hearing range ? yes
low samplerate: 1234567890
high sample rate: 12345678901234567890123456789012345678901234 [top]almost 4 times more information
more details sometimes its good, sometimes its bad example ? digital film vs. standard video::::::::: original film goes at 24frames per.second,
video goes at 60interlaced = 30 frames
new digital film goes at 24p progressive why step back? becouse it looks way cooler #3. digital has 144dB aprox. of dynamic range
no AD/DA can yet match digital why work at 24-bits ? if your AD/DA only does 127dB ? its a dumb question... for example its not the same to:: A) take a digital photo at 640480 vs. B) take a digital photo at 20MegaPixels, and use hi-quality bi-cubic algorithms to rescale down to 640x480 vs. C) take a digital photo at 160x100 and up-scale to 640x480 same as:: why use 3ccd ? if just 1ccd its enough? dumb question... same answare, its not the same results similar to dacs clarity mic-pre thumbsup | holy shit is all i can say.
|
| |