Quote:
Originally Posted by jwl  Not necessarily, megl.
Generally you will want absorption above the mix position and where the microphones are, especially for drum overheads or recording acoustic instruments.
But if you do the entire ceiling it can be *too* dead in the room.
Start off with clouds in those places, and go from there. If the room is still too live, add more absorption until it sounds the way you want it to. |
Sorry - I didn't explain myself properly ... I meant what you are saying here - only in certain positions ... but how much? Above drum set for example - is it better to have 8" than 4" ... and is fiberglass the best? I hear about certain materials being used for 'acoustic ceilings'
/megl