 huge cathedral micing technique
hi
I'm going to record a very famous chamber orchestra + choir in a huge cathedral. I mainly recorded since yet chamber music, so I'm a bit confused...
I read many posts about micing technique for oratorios... with 8 inputs = 1 ortf, 1 spaced omni pair, 2 voice solos, 1 bass, 1 continuo... Do you use omni flanks as well in big reverberant spaces ?? What the distance between the 2 omnis ?
I own : 1 pair cardio (cmc5 mk4) schoeps ; 1 pair subcardio (cmc6 mk21) schoeps ; 1 pair omni (cmc6 mk2s) schoeps ; 1 pair oktava 319 (cardio)modified ; I can rent a pair of neumann km 84 cardio.. I use pretty good pre (forssell 2 ch ; dav bg1 2 ch ; audient asp 008) and mytek converters. I record on pro tools (adat in+ spdif in) + backup on fostex d90 (adat in too ; i have a adat "splitter").
What would you do with that stuff ? I can record 10 ch.(8 very important+2 "extras") in the mac and 8 very important in the fostex.
thank you very much
william
|